Mother and Child dogBaby, Gilt Icon, acrylic on panel by Paul Zdepski
Air Pulp Cutie, detail, oil on canvas by Paul Zdepski Popper Pup Mowing Her Lawn oil on canvas, Paul Zdepski Observing the Past Observing the Future, Cover of Shenandoah University Magazine, Acrylic on canvas by Paul Zdepski The Bishop of Bones dogBaby, Gilt Icon, acrylic on panel by Paul Zdepski Mother and Child dogBaby, Gilt Icon, acrylic on panel by Paul Zdepski Junkie - Meth Text, watercolor on paper by Paul Zdepski Robert Williams Portrait, oil on panel by Paul Zdepski George Washington - No Teeth, oil on canvas by Paul Zdepski The Job Interview, acrylic on canvas by Paul Zdepski Officer Rabbit's New Bike, oil on panel by Paul Zdepski Thomas Jefferson Portrait, oil on museum board by Paul Zdepski Computer Delusion, oil on museum board by Paul Zdepski Bonsai Near Cedar Creek, oil on canvas by Paul Zdepski Panamanian Taxi, acrylic on panel by Paul Zdepski Vincent Van Toad, acrylic on canvas by Paul Zdepski Uhane Stealing the Conch, digital image by Paul Zdepski Fat Cat, acrylic on panel by Paul Zdepski Bactrian Beagle, acrylic on panel by Paul Zdepski Instruments of the Baltimore Consort, oil on panel by Paul Zdepski USS Amick Destroyer, oil on canvas by Paul Zdepski DeerBaby Holiday Image, oil on panel by Paul Zdepski Jake and Jennies, acrylic on panel by Paul Zdepski Bull Market on the Rise, oil on museum board by Paul Zdepski

Mother and Child dogBaby, Gilt Icon, acrylic on panel by Paul Zdepski
This piece is the right-hand side of the diptych featuring the Bishop of Bones, Giselle and Mother and Child. The Group won Best of Show in the 10th annual open show at the Blue Elephant in Frederick Maryland. I was unsure how the three pieces would be received, but I found that was not a concern to have. Illustration and painting for the gallery scene are worlds apart, yet so close together. My work used to be very much split between what I thought would sell, like landscapes and animals and those pieces I did for my spirit, like Giselle and Mother and Child. The later type of work is where my satisfaction is, and I think there are plenty of weekend painters willing to fill up the gallery walls with chickens and barns. I'll try to paint what I need to talk about, and let the gallery walls deal with it.