The Job Interview, acrylic on panel by Paul Zdepski
Air Pulp Cutie, detail, oil on canvas by Paul Zdepski Popper Pup Mowing Her Lawn oil on canvas, Paul Zdepski Observing the Past Observing the Future, Cover of Shenandoah University Magazine, Acrylic on canvas by Paul Zdepski The Bishop of Bones dogBaby, Gilt Icon, acrylic on panel by Paul Zdepski Mother and Child dogBaby, Gilt Icon, acrylic on panel by Paul Zdepski Junkie - Meth Text, watercolor on paper by Paul Zdepski Robert Williams Portrait, oil on panel by Paul Zdepski George Washington - No Teeth, oil on canvas by Paul Zdepski The Job Interview, acrylic on canvas by Paul Zdepski Officer Rabbit's New Bike, oil on panel by Paul Zdepski Thomas Jefferson Portrait, oil on museum board by Paul Zdepski Computer Delusion, oil on museum board by Paul Zdepski Bonsai Near Cedar Creek, oil on canvas by Paul Zdepski Panamanian Taxi, acrylic on panel by Paul Zdepski Vincent Van Toad, acrylic on canvas by Paul Zdepski Uhane Stealing the Conch, digital image by Paul Zdepski Fat Cat, acrylic on panel by Paul Zdepski Bactrian Beagle, acrylic on panel by Paul Zdepski Instruments of the Baltimore Consort, oil on panel by Paul Zdepski USS Amick Destroyer, oil on canvas by Paul Zdepski DeerBaby Holiday Image, oil on panel by Paul Zdepski Jake and Jennies, acrylic on panel by Paul Zdepski Bull Market on the Rise, oil on museum board by Paul Zdepski

The Job Interview, acrylic on canvas by Paul Zdepski
She’s practiced her lines, and knows exactly what to say… everything except the truth. This piece is an overflow from my “Junkies in the House” series. I had tried to get the real-life junkies ready to find a job… I even started brushing up their résumés.
Q: Why did you change jobs six times in the last three years?
A: I like to travel.
This piece was an experiment for me, harkening back to my work from the early 1980’s and my Otto Dix and George Grosz influences. I believe it works as a singular piece, but I don’t think that I will be switching my style to this method, however a few elements have been creeping into my other work. This piece has shown in a few galleries under the name “The Soloist”, since I thought she also looks like a Church-lady belting out a Sing-by-Numbers song at the front of one of those zany Southern-fried churches.