Thomas Jefferson, oil on Strathmore Museum Board by Paul Zdepski
Air Pulp Cutie, detail, oil on canvas by Paul Zdepski Popper Pup Mowing Her Lawn oil on canvas, Paul Zdepski Observing the Past Observing the Future, Cover of Shenandoah University Magazine, Acrylic on canvas by Paul Zdepski The Bishop of Bones dogBaby, Gilt Icon, acrylic on panel by Paul Zdepski Mother and Child dogBaby, Gilt Icon, acrylic on panel by Paul Zdepski Junkie - Meth Text, watercolor on paper by Paul Zdepski Robert Williams Portrait, oil on panel by Paul Zdepski George Washington - No Teeth, oil on canvas by Paul Zdepski The Job Interview, acrylic on canvas by Paul Zdepski Officer Rabbit's New Bike, oil on panel by Paul Zdepski Thomas Jefferson Portrait, oil on museum board by Paul Zdepski Computer Delusion, oil on museum board by Paul Zdepski Bonsai Near Cedar Creek, oil on canvas by Paul Zdepski Panamanian Taxi, acrylic on panel by Paul Zdepski Vincent Van Toad, acrylic on canvas by Paul Zdepski Uhane Stealing the Conch, digital image by Paul Zdepski Fat Cat, acrylic on panel by Paul Zdepski Bactrian Beagle, acrylic on panel by Paul Zdepski Instruments of the Baltimore Consort, oil on panel by Paul Zdepski USS Amick Destroyer, oil on canvas by Paul Zdepski DeerBaby Holiday Image, oil on panel by Paul Zdepski Jake and Jennies, acrylic on panel by Paul Zdepski Bull Market on the Rise, oil on museum board by Paul Zdepski

Thomas Jefferson, oil on Strathmore Museum board by Paul Zdepski
Thomas has had a very exciting run since his presidency… This piece was part of the four winning paintings entered in the Ely competition in 1998. He then went on to become an ambassador for Virginia arts in the country of Panama in 2006. He is hung in the U.S Embassy Residence in Panama City, Panama watching every move of Ambassador William Eaton as he schlepped to the kitchen for his morning java. This piece is derivative of Rembrandt Peale’s Jefferson in the fuzzy collared smoking jacket. This is the first piece I had tried the crackle finish on… After two weeks of research, sketches and execution, it was very stressful to finish a painting and then coat it with gum Arabic, Damar and wait for results. I was very happy with the final results of this old woodworker’s technique of antiquing. I had to scumble some umber and sienna into the cracks, wiping down the surface to get the full result, but it turned out believable.